#MeTooMpls —The Music of the #MeToo Movement

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The power of a single story becomes stronger when that story becomes a movement for change. That is what the #MeToo Movement is about: survivors sharing their stories of harassment, assault, and violence in order to promote awareness, change, and empathy. In using music as a catalyst for storytelling, Mischa Suemnig organized the #MeTooMpls project, a songwriting collective of Minnesota Women/Femmes/Trans/Non-Binary Folk. The mission of #MeTooMpls is straight forward: It is aimed at creating songs to raise Minneapolis Women/Femmes/Trans/Non-Binary Folk voices; Supporting sexual assault survivors; And raising funds for Planned Parenthood.  All the songwriters involved were asked to write and record an original song on the subject of #MeToo. Without any further guidelines, the artists delivered songs ranging from heartbreaking songs about surviving sexual assault to inspiring songs about feminist icons and their influence on their lives. The album that they created is at once polyvocal and unified —it is a a mixture of lamentation, hope, and demand for change. It is the music of #MeToo.

We interview the Project Coordinator, Mischa Suemnig, about organizing #MeTooMpls, creating music for change, and the impact of the #MeToo movement in Minneapolis. We were also lucky enough to touch base with several of the contributing artists and are excited to share their musical perspectives. Please continue reading for interviews with artists Mayda, Jour, Lydia Liza, Sarah Morris, Katy Vernon, r0, Annie Fitzgerald, Linnea Mohn, Elska, Mary Bue, and Tina Schlieske.


Mischa Suemnig -Project Coordinator

Where are you based?
I've lived in Mpls/St.Paul since 1995 and recently moved to the west side in Plymouth MN.

What is your organization MeTooMpls?
MeTooMpls is a group of Women/Fems/Non-binary artists who are working to raise awareness of sexual assault, support for survivors and finally, raise money for Planned Parenthood.

How did it get started?
In 2019, three separate female musician friends, within a span of a few weeks of each other, all shared heart wrenching stories via social media of their interactions with men, within the context of making music (performing, recording, etc), that made me really upset to share chromosomes with those bastards that were harassing them. I didn't know how to help, so I threw out this concept (MeTooMpls album) as a way to help them (and others) feel supported, have their voices elevated and bring together survivors (and supporters) into a sense of community. They all liked the idea and two of them (women who shared stories via social media) joined and contributed songs to the album.

We love that you are rooting awareness and support in music -- it is a powerful form of storytelling and advocacy. What has it been like to work with local artists in telling these stories?
Given the gravity of the topic, I'm almost ashamed to admit that I've had a blast. It was definitely a challenge to coordinate a team of 17 artists, work promo, design art, mastering engineers, mixing engineers, etc. and all the other logistics involved in this sort of thing. However, getting to work with these amazingly kind, generous and wildly talented bunch of folks made it profoundly worthwhile.... I'm a musician at heart, but I also don't suck at organizing things, so I leveraged mostly those (organizational) skills for this project. I did get to co-produce one of the songs, which was a fantastic experience and I loved every minute of it.

Minneapolis is certainly a hotspot when it comes to both gender and racial politics in America. In a way, the city has become a microcosm of a macro-issue of inequality and inequity. For sexual assault, TIME reported that when investigated Minneapolis Police Admitted there were over 1,500 rape kits that were untested over a 30-year span, with hundreds of recent kits included in that count. Can you give us your thoughts on how Minneapolis has been handling supporting victims since this admission?
I'm here to support the artists and raise up their voices, as it applies to sexual assault, living as a survivor and supporting each other. I hope it doesn't sound like a cop-out, but I really want them to be heard on these issues, so I'll demur on these questions and let them speak to those directly. Last thing we need is another middle-class-white-dude telling women what to think about sexual assault.

How have things been in Minneapolis after the conclusion of the Derek Chauvin trial? What sort of efforts have you seen to project safety and inclusion for BIPOC communities in Minneapolis during this time?
I'll speak to this from the management of the project side, and let the direct question (again) fall to the artists. Having MeTooMpls be as inclusive as possible was a priority for me from the beginning. I approached more BIPOC folks for inclusion on the album, but not all of them could commit to an unpaid fundraiser, for a wide array of totally understandable reasons. If people want me involved in future iterations of the project, I hope to be even more successful at recruiting diverse acts from different backgrounds and perspectives. I've turned the running of the group over to the artists and offered to stay involved, if they want me to be involved. I believe that future efforts should be run by women/fems and survivors and I'll support in any way folks want me to.

Both of our previous questions have a lot to do with the police. What are your thoughts on what should be done about police negligence and violence?
As this is not directly about women or sexual assault, I hope I'm not out of my depths to answer. Police accountability and divestment of enforcement dollars spent and reinvestment in our communities through affordable housing, education, community services, mental health services, and other programs are the way the rest of the western world has changed for the better. Qualified immunity, refusal to use body cams, fired officers being rehired in other cities, repeat offender officers who continue on the job, systemic racism.....all symptoms of a broken system that desperately need reform.

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
Looking forward to hearing what the artists have to say.

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
Being involved with efforts like this keep me motivated. I simply can't think of a better way to get motivated than to be part of a group of artists with this much passion, talent and initiative. It's (simply put) inspiring.

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
Looking forward to hearing what the artists have to say.

What if Planned Parenthood didn’t exist?
Looking forward to hearing what the artists have to say. Though, I'll add that I have spoken to many artists and friends (who identify as female) who have relied on Planned Parenthood in their lives. I chose this charity because of me and my wife's long time support of the organization, but I did throw out changing it to whatever the group wanted. Sidenote: The original "pitch" email I sent out to recruit artists included the following: "We will be donating all proceeds to Planned Parenthood in Mike Pence's name". I wasn't married to the idea of supporting Planned Parenthood, only because I didn't want to make the choice for the group as to where the money went, but everyone enthusiastically supported the idea, so we kept it.

At the end of the day, what do you hope listeners take away from #Metoompls?
I'm so inspired by this album and these artists, and I have a lot to say, but I want others to hear what the artists think!

Please see our interviews with the artists of #Metoopls below:


MAYDA

Mayda - Photo by Sarah Howley

Mayda - Photo by Sarah Howley

Where are you based?
Saint Paul, MN.

What do you hope listeners take away from #Metoompls? 
I hope that people have gained awareness, allies, tolerance, and compassion for all people. There are so many people who you would never know had the same background. 

How did putting these songs out into the world as a part of the METOOMPLS project impact you?
Not only did the album help connect voices who have had similar experiences, but it brought light to experiences of abuse that have never been heard of before. 

MAYDA photo by Colin Kopp

MAYDA photo by Colin Kopp

What was it like to listen to each other’s songs?
Each song, showed me how other artists conceptualize and manifest their experiences/opinions on abuse.

Why do you think it is important that albums like this come out?
To connect people from more than 1 community especially those who do not feel attached to any group or feel alone.

What progress do you hope to see moving forward for Minneapolis?
I hope that there will be a change in the way artists treat each other in every aspect of the entertainment community.

What is your life motto?
If it is itchy, don’t wear it. 

How are you staying sane during shelter in place?
Listening, writing, and learning more about music. 

To learn more about Mayda, please follow her via the below platforms:
www.imaydasong.com
Youtube: MaydaMiller
Facebook: IMaydaSong
Twitter: @mayda
Instagram: @maydamess


JØUR

Jour - Photo by Sarah Howley

Jour - Photo by Sarah Howley

How did putting these songs out into the world as a part of the #MeTooMlps project impact you?
When I first agreed to the project, I felt somewhat individualistic about it. I did not give the end result much thought. However, once the project came together, I was pleasantly surprised by the sense of camaraderie and community that was birthed from it. Through this project I have made new friends and started collaborations with other artists from the #MeTooMPLS collective that I have found personally and professionally very valuable.

What was it like to listen to each other’s songs?
Due to the open ended nature of the prompt, I was amazed at the many different perspectives that were represented in the collective work. I also felt a deep well of gratitude for the heart and talent that went into each song, and the creativity that each person brought to the project as they processed their own reflections on #MeToo.

Why do you think it is important that albums like this come out?
The element of solidarity was important. Having so many people express their own stories gives credence to and validates our experiences on a societal level. Culture is pushed and changed through reflection, and art is the mirror that can so often lead to necessary change.

JOUR by Hillary Olson

JOUR by Hillary Olson

What progress do you hope to see moving forward for Minneapolis?
I'd like to see businesses take responsibility for protecting performers by believing complaints from patrons, staff and performers about toxic culture. I'd like those businesses to take steps to hold individuals accountable for their inappropriate actions. I'd like men to do the work to start seeing abuse and calling it out, rather than remaining comfortably ignorant that their friends are predators. I'd like to feel safe among my peers and colleagues when I'm at venues, shows, and industry events.

What is your life motto?
Be where you are.

How are you staying sane during shelter in place?
I have had little opportunity to shelter in place. When the music industry closed down, I had to find other work to sustain my basic needs. Staying sane has meant finding literally any time to rest. It is hard to pay the bills this year.

To learn more about JØUR, please follow her via the below platforms:
Instagram: @jourmusic


LYDIA LIZA

Lydia Liza - Photo by Sarah Howley

Lydia Liza - Photo by Sarah Howley

Where are you based?
St. Paul, MN.

How did you get involved in #Metoopls?
I was invited to be included by Mischa Suemnig to be included in the compilation. I have always been very outspoken about misogyny and sexual violence, especially in the music industry. It was a no brainer for me, I was honored to be asked!

What are your thoughts on what should be done about police negligence and violence?
I don’t believe we can reach a place of peace, equality, inclusion, or equity under capitalism. We live in a violent, punitive system centering punishment and exploitation rather than restoration and healing. You cannot reform something that is inhumane and built on violence like that. I believe we need to abolish the police.

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
This question is incredibly multi-faceted. Everything is connected: capitalism, racism, patriarchy, misogyny, sexism, ableism, exploitation, transphobia, homophobia, violence, etc. I think our insulated lives brought on by the isolation, individualism, and hustle-culture of capitalism resulted in a loss of community: community where people talk, share, help, aid, give, and seek to understand and empower each other. Being involved in the music scene has given me an intimate perspective.

Last summer I engaged in work around breaking open the music scene in Minneapolis and the high school that I had attended. This was work that many Black femmes before me started, who were continually disregarded. Being a white woman with a platform I wanted to help but it is true you can be harmful even if you had good intentions. I tried to come from a teachable, compassionate place, with the idea “trauma not transformed is transmitted” at the forefront. Within the work, I wanted to communicate that people committing harm are our friends, our bandmates, the people we party with, etc. I tried to encourage people to take an inventory of how they conduct themselves or perpetuated harm - how they have been complicit. I wanted to encourage people to entertain the idea that people behave differently in different situations and relationships, especially if it suits them well. I wanted them to engage with the thought that men, especially cis-hetero white men, live with an unimaginable amount of privilege: the privilege to ignore and discount others’ experiences out of discomfort. Accountability is love, not an attack, not a cancellation. It is an invitation. 

I think we are in a period of reflection where we are centering, holding, validating, and creating space for survivors. It would be okay with me if that period went on for a long, long time. It would be okay with me if those who have committed harm were forced by accountability and love into reckoning for a long, long time. In order for healing to happen, policy must be instilled to allow this time of healing for everyone involved. I think that speaking honestly and listening openly is the key to changing and expanding perspective. We, collectively, have only just begun to listen to the voices of people of color - the voices of survivors. That is finally showing up in our media. Even then, the media is insatiable, sensationalist, dramatic, and inherently traumatizing. We are only beginning to deconstruct and speak about the innate violence of the patriarchy and having our personal experiences within it received.

There is no rush to heal. Urgency is imagined. We cannot fix it all today and it is our duty to keep moving towards it. I keep this in mind for myself, too, which helps me continue to enact change in my daily life. Mistakes are opportunity to understand not only yourself but also your neighbor deeper - to expand your compassion, perspective, knowledge, your ability to be better, and to be more self-reflexive. Carrying all that gets easier as you become healthier and more responsive to your needs and your inner child. The understanding, the ability to center another, and the expansion of your capacity will come with healing. We are useless without self-compassion.

Lydia Liza by Lydia Hoglund

Lydia Liza by Lydia Hoglund

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
It’s helped me to think of it less in terms of urgency. To think of it as something I can do every day. It’s helped me to think of how big it is - much bigger than me. It’s helped me to think of it in a personal way, day by day: what can I do today to ensure the safety of other people? Am I going to speak up when someone needs to speak up today? Am I going to be actively anti-racist today? Am I going to stand up against injustice today? Am I going to hold people accountable today? How am I going to empower others today? Am I taking care of myself? That’s looking at what I can do tangibly, day by day.

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
The importance of Planned Parenthood cannot be overstated in my opinion. Their work to provide accessible, affordable, inclusive trauma-informed care with integrity is so important and I am so grateful they are around. I am so grateful for the care I have had access to through them.

What if Planned Parenthood didn’t exist?
I literally don’t want to imagine this to be honest!

At the end of the day, what do you hope listeners take away from #Metoompls?
Empathy, empowerment, courage, strength, belonging.

How did putting these songs out into the world as a part of the #METOOMPLS project impact you?
It was really very healing.

What was it like to listen to each other’s songs?
Again, very healing.

Why do you think it is important that albums like this come out?
I think talking about things is healing. It is up to us kind of when we want to engage in these conversations but it’s so good that the conversations are happening.

What progress do you hope to see moving forward for Minneapolis?
I’m still in the process of knowing what I’d like to see. For sure more inclusive spaces, maybe even sober spaces, queer-led, women-led spaces.

What is your life motto?
It’s always changing, but a pretty consistent one is to “leave things better than you found them,” places, spaces, things, people. I try to be kind and I try to be helpful, I try to learn and listen and understand!

How are you staying sane during shelter in place?
I did a lot of therapy, honestly, which was very helpful and I’m grateful to have access to it. I just spent the whole time letting myself know that anything I was feeling was valid, because we’re going through a god damn pandemic! Unprecedented. Let it ride, baby, that’s what I kept saying.

Please list any websites and/or social media that you would like Jejune to promote:
You can listen to me on Spotify! I am slowly removing social media from my life for a little while as I take a hiatus, but I’ve got a few tunes on Spotify.

Spotify: Lydia Liza


Sarah Morris

Sarah  Morris - Photo by Sarah Howley

Sarah Morris - Photo by Sarah Howley

Where are you based?
Just north of Minneapolis.

We love that you are rooting awareness and support in music -- it is a powerful form of storytelling and advocacy. What has it been like to work with local artists in telling these stories?
Working with other local artists in telling these stories has been - inspiring, empowering, energizing - there was this deep sense of everyone being all-in, and holding space for one another which, heart-wise made this project incredibly moving to be a part of. Musically, it was wildly motivating! All the songs and the tracks are SO strong, and beautifully varied from one another. Knowing that they all came from within our community - AHH! - it's such an honor to be a part of this project.

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
I can't speak to change in policy or advocacy, but I am so grateful for the way it has brought the conversation forward. As a woman, a daughter, a mother, a friend —within my personal sphere there is a new level of openness, and an attention to language and boundary setting and transparency.

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
Any time we had a chance (as a project) to participate in a group zoom interview, or with the virtual concerts, I came away exactly that - energized, motivated, and positive. Witnessing the efforts, the strength, the vulnerability of those involved was such a source of fuel! In my daily life, I'm a mother and there is always, always that primary desire to want the world to be better for your children. They are my energy, my motivation, absolutely.

Sarah Morris - Photo by Katie Cannon

Sarah Morris - Photo by Katie Cannon

At the end of the day, what do you hope listeners take away from #Metoompls?
A sense of being seen, and not alone; an energy to keep pressing forward; maybe inspiration to share their own story if that serves them. Songs that stay with them on a musical level and a heart/soul level.

What was it like to listen to each other’s songs?
So moving, and inspiring. I'll never forget putting the disk into my minivan (I waited until I had a hard copy in my hands because the car listen is the best listen) and feeling so very moved and also just CHEERING for the strength and power and heart I heard in every song.

How are you staying sane during shelter in place?
I belong to a songwriting group that has continued throughout that has been absolutely necessary for my sanity. . And finding community where possible - the #MeTooMPLS project was a wonderful space for that.


To learn more about Sarah, please follow her via the below platforms:
www.sarahmorrismusic.com
All Mine | new album available at iTunes, Spotify, Amazon, Google Play, etc.


Katy Vernon

Katy Vernon - Photo by Sarah Howley

Katy Vernon - Photo by Sarah Howley

Where are you based?
I live just outside of the Twin Cities. I play most shows in Minneapolis and Saint Paul. I am originally from London, UK.

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
Recently I was approached to take over a month long residency at a venue because MeToo allegations were brought to light about a performer who was initially given that opportunity. The venue listened and responded quickly and decisively when they were made aware of the abuse history of the musician and made sure to take action. Real time accountability goes a long way towards making change.

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
It can be exhausting and it’s important to let people know it’s ok not to share their stories too and to be gentle with how people want to deal with abuse. Hopefully seeing more people come forward that have positive outcomes like the recent one I mentioned show that things can and will continue to change. Abusers have long hidden behind the walls of fear, shame, and secrecy that they have created and shining a light on that means they can’t continue to work in the shadows.

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
I came to the US as a young woman from a country that had national healthcare. I had no idea how restrictive it was to find medical care without insurance. PP was my primary source of care and information for several years and plays an important role in women’s complete health.

Katy Vernon photo by Randy Vanderwood.JPG

At the end of the day, what do you hope listeners take away from #Metoompls?
First and foremost I just hope people enjoy the music and realize that women are not a genre but a varied and eclectic mix of humans creating great things. That variety also runs through the subject matter. There is a common thread running through this record which is massively important and bonding but it also contains many different views and styles. I feel so lucky to have been included and proud of being a part of a connection of songs that center women’s voices.

Also I wanted to include this bit. I added more to clarify: Recently I was approached to take over a month long residency at a venue because MeToo allegations were brought to light about a performer who was initially given that opportunity. The venue listened and responded quickly and decisively when they were made aware of the abuse history of the musician and made sure to take action. Real time accountability goes a long way towards making change. It is important to note that before deciding to step in I reached out to the woman at the center of the issue and after talking with her decided to take the gigs and use it as an opportunity to raise funds for a local woman’s music charity. It felt great to take a bad situation and make something great out of it.

What was it like to listen to each other’s songs?
It was such a joy. I knew several performers already and loved their songs. I felt so inspired especially by the song ‘On the shoulders of giants’ which is honestly one of my favorite songs ever.

It was exciting to discover some local women that I wasn’t familiar with and can now connect with and play shows with. It’s also very sad to know that we all have a lot of heavy stories to share. It’s not okay but I feel proud of everyone for speaking up and hope it inspires others to know that they can speak up too if they are ready.


Why do you think it is important that albums like this come out?
It centers women’s voices and gives us back our power. Too many women have either never entered the music business or have left it due to being made to feel unsafe or less than and this is hopefully a rallying cry that we matter.

What progress do you hope to see moving forward for Minneapolis?
I have been in the music scene here for 20 years and I feel more encouraged than ever by young women speaking up, supporting each other and demanding change. I have been the only woman in the room for many shows and I have been working to change that. In the last few years I have been more involved in booking and I make sure to actively get women and POC on every bill. There’s no excuse for not making shows more inclusive.

What is your life motto?
My song is called ‘Shine’ and I guess that’s kind of my motto. I wanted to celebrate being yourself and owning your story. I knew I wanted to explore a song about feeling shut out of the boys club and having to fight my way into the music scene. As negative as that has been for me I wanted to also celebrate where I’m at know. I’m proud to have fought my way into a career in music and I use my platform to lift others. Even if you don’t think you make an impact you can choose to try. Everyday you have the choice to make life better for someone else.

How are you staying sane during shelter in place?
Zoom concerts, which helped to earn me the award “Best Acoustic Perfomer” ‘City Pages’. Also a new weird little hobby sewing little fabric mice that I share on Instagram at @scrap.mice

To learn more about Katy, please follow her via the below platforms:
KatyVernon.com
Twitter: @katyvernonmusic
Instagram: @katyvernonmusic


r0 ☆

r0 ☆ - Photo by Sarah Howley

r0 ☆ - Photo by Sarah Howley

How did putting these songs out into the world as a part of the METOOMPLS project impact you?
The opportunity to be a part of this project allowed me the gift of a sense community, even in lockdown. This project also gave me space to explore my voice as a solo artist.

What was it like to listen to each other’s songs?
It gave me a sense of camaraderie and shared experience, beyond the work I’d done on the single. It’s been nice over the last few months to hear from each other, our thoughts, and creative process, given such a vulnerable and heavy topic as the #MeToo movement. There’s so much anger, and sadness, and honesty in what we’ve all written.

Why do you think it is important that albums like this come out?
In a time where we are forced to spend so much time away from each other, art that starts conversation is invaluable. Reflection and examination of the way our society has historically explored, or exploited personal boundaries is invaluable. Every person’s safety and wellness is invaluable.

Ro Lorenzen- by Ro Lorenzen

Ro Lorenzen- by Ro Lorenzen

What progress do you hope to see moving forward for Minneapolis?
In the music scene, universal standards of respect and accountability to artists, patrons and bar-staff alike at all venues. As a community, I hope for more empathic figures in position of defensive support of our marginalized young people and creatives. -What are your life mottos?
Listen, and intend to understand. Then, try harder.

How are you staying sane during shelter in place?
Being a self-employed musician that depends on regular collaboration to make rent every month, now adjusting to socializing around people outside of my pod again has really been a trip. I’ve been working with a lot of local artist and friends as remotely as we can, and we’re still making a lot of really exciting music together. Looking forward to the conversations I hope it brings

To learn more about r0 ☆, please follow her via the below platforms:
www.rotoscoperecordings.com
Instagram: @rowithaslash
Twitter: @rowithaslash


Annie Fitzgerald

Annie Fitzgerald - Photo by Sarah Howley

Annie Fitzgerald - Photo by Sarah Howley

Where are you based?
I’m based in Minneapolis, MN.

We love that you are rooting awareness and support in music -- it is a powerful form of storytelling and advocacy. What has it been like to work with local artists in telling these stories?
I got involved because Krista Vilinskis reached out and connected me to Mischa Suemnig and his mission. It was a hell yes for me right away, and I was happy to be a part. 

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy? 
I think that the more people speak out about it and bring awareness to the issue in a public and private manner, the more things have the opportunity for change…..with #metoo and with all of the systemic issues in our culture that are so prevalent now. 

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
Planned Parenthood has been a resource for me and friends and neighbors for decades. It is a valuable and viable response for women that should absolutely continue to be so.

At the end of the day, what do you hope listeners take away from #Metoompls? 
At the end of the day, I hope that anyone who listens to this record feels seen, heard and empowered to talk and walk their own journey. 

Annie, your song “I Know That Sound” refers to the sound of cracking eggshells. Can you tell us more about this metaphor and what it means in the song? 
When one walks on eggshells, they immediately crack. In this song, it’s a metaphor for one’s voice being silenced. When I wrote it, I wrote it like I was talking to a friend from a place of empathy. I saw them experiencing the trauma around not being seen and heard. 

What was it like to listen to each other’s songs?
It was beautiful and heartbreaking but mostly empowering. Being a part of the collective, experiencing everyones stores during zoom interviews over the past year, and feeling the support has been a huge gift. I’m still dreaming about an in-person release concert!

Annie Fitzgerald -  KatieCannonGreenSquare

Annie Fitzgerald - KatieCannonGreenSquare

Why do you think it is important that albums like this come out?
We are bearing witness to our own pain. When that happens, other people can possibly get permission to do the same for themselves. I think, that’s what being a songwriter is all about. 

What progress do you hope to see moving forward for Minneapolis?
Equality Peace. Unity. Universal Love. I’ll keep learning every day, and hope for all of it. 

What is your life motto?
I love the poet Rumi. He says “This Moment is all there is.” That’s my current motto.

To learn more about Annie, please follow her via the below platforms:
Instagram: anniefitzgeraldmusic
Facebook: AnnieFitzgeraldMusic
Patreon: anniefitzgeraldmusic


ELSKA

Elska - Photo by Sarah Howley

Elska - Photo by Sarah Howley

Where are you based?
Minneapolis, Minnesota.

We love that you are rooting awareness and support in music -- it is a powerful form of storytelling and advocacy. What has it been like to work with local artists in telling these stories?
Music is a powerful tool, and these songwriters are absolutely incredible. It has been such an unexpected gift of this project. The support and community that has blossomed from this record is something that none of us saw coming. It is a privilege to be in their company.

Minneapolis is certainly a hotspot when it comes to both gender and racial politics in America. In a way, the city has become a microcosm of a macro-issue of inequality and inequity. For sexual assault, TIME reported that when investigated Minneapolis Police Admitted there were over 1,500 rape kits that were untested over a 30-year span, with hundreds of recent kits included in that count. Can you give us your thoughts on how Minneapolis has been handling supporting victims since this admission?
Since this admission, I’m not sure of what has or hasn’t changed. What I do know, is that traumatized people have to relive their trauma while these rape kits are being conducted. The amount of courage and bravery it takes is unimaginable. The fact that these kits then go unaddressed and untested is an insult and disgrace. And we wonder why so few women come forward? We have to do better.

On the topic of police, what are your thoughts on what should be done about police negligence and violence?
I believe police should be demilitarized, and that we need to redirect our civic investments into community-based programs – education, mental health and social services, for example. Law enforcement officers should be held to the same standards as everyone else, and we should not accept their misconduct when it happens. Trust is broken, and there’s lots of work to do. We have an opportunity to reimagine how we invest in our communities and keep them safe.

It doesn’t seem like #MeToo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
Progress is a slow machine, but it’s moving. Nothing can change unless we force the conversation, and these are very difficult conversations that take bravery and courage. Continuing to speak up and challenging the systems of power built to keep us “in our place” is our best option. We have to keep going.

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
I can only do this because of the people who stand with me. I am constantly inspired by the women in my life, and the people on this record are no exception. When I feel their strength, support, and encouragement, when I see them modeling vulnerability with their own stories, it empowers me to share mine. We have to always remember how incredibly strong we are when we stand with each other.

Elska Photo by Kelsey Duncan

Elska Photo by Kelsey Duncan

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
Planned Parenthood provides affordable, essential services, and a safe place for people to talk about vulnerable issues related to their health both physical and mental. They are critical to the thriving of communities all across the country, and Minneapolis is no exception.

What if Planned Parenthood didn’t exist?
If we didn’t have this available to us, we would feel a void in this society because of how many health concerns would be going unaddressed. Planned Parenthood is vital to the health of our communities.

At the end of the day, what do you hope listeners take away from #Metoompls?
Keep speaking, keep singing, keep sharing your stories. Our lived experiences are important and deserve to be heard. Let’s keep coming together and supporting each other to move this old, tired world forward.

How did putting these songs out into the world as a part of the #MeTooMpls project impact you?
Professionally, it’s shaping the trajectory of my whole career. Being a part of this community has helped mold me as an emerging artist. Personally, I am honored to be making music with these remarkable songwriters. There is so much untapped energy like this across the country and around the world. Imagine what could happen if we did this everywhere.


Linnea Mohn

Linnea Mohn - Photo by Sarah Howley

Linnea Mohn - Photo by Sarah Howley

Where are you based?
Saint Paul, MN.

How did putting these songs out into the world as a part of the METOOMPLS project impact you?
It was both a creative outlet and act of solidarity with all of the other whom involved.

What was it like to listen to each other’s songs?
Both heartening and heartbreaking. Realizing how much we all have in common. I am also amazed at the depth and breadth of talent in this group.

Linnea Mohn by Linnea Mohn

Linnea Mohn by Linnea Mohn

Why do you think it is important that albums like this come out?
This sort of project is a documentation of sorts. A love letter to future women who may need the reinforcement.

What progress do you hope to see moving forward for Minneapolis?
Men calling out other men for disrespectful or creepy behavior.

What are your life mottos?
Remember to breathe.

How are you staying sane during shelter in place?
Well, at this point I’m trying to figure out how to navigate re-entry. But, simple tasks like plant parenting, kid parenting, experimental baking, listening to podcasts and music.

To learn more about Linnea, please follow her via the below platforms:
linneamohn.com
lostinroguevalley.com


Mary Bue

Mary Bue - Photo by Sarah Howley

Mary Bue - Photo by Sarah Howley

Where are you based?
Minneapolis, MN.

Mary Bue, your song has a title that really catches the eye: “How to Forgive Your Rapist.” This song seems to be balanced with anger and reflection. What was the writing process like for you, was it hard or freeing?
Thank you for this question! This song was very hard to write, however it actually just fell out of me. In 2006 I was sexually assaulted by a friend's boss. It was a very small and tight-knit community in which it occurred. I received some feedback about how I had been drinking so ... [I was asking for it]. The man was never fired, nor was he divorced, basically no repercussions. A "blame the victim" type scenario which happens so often. This song is about the survivor taking power back, embodying the truth that it wasn't her / their fault, even if she had been drinking, dancing, wearing what she was wearing. It is about me forgiving myself. It never should have happened.

What was it like to listen to each other’s songs?
It felt remarkably empowering. It gave me strength. I feel like these artists have my back and I have theirs.

Mary Bue Photo by Darin Back

Why do you think it is important that albums like this come out?
We need to raise awareness that sexual assault, harassment, secrecy, boy's club behavior is REAL and happens ALL THE TIME AS WE SPEAK and it must be stopped, and accountability must be sought. If listeners can have support through music like this, in knowing that they are not alone, healing can begin and continue.

What progress do you hope to see moving forward for Minneapolis?
Inclusiveness, show bills with 50% or LESS male and all other genders more represented, those rape kits tested, more public events to raise awareness

What is your life motto?
Follow Your Bliss, What Doesn't Kill You Makes You Stronger, Sensitivity is Strength, Fuck That Shit and Fuck YES!

How are you staying sane during shelter in place?
I've been doing sunrise solo dance parties, running my daily 5K, teaching a lot on zoom (piano lessons, yoga classes, and Sacred Feminine Groups), meditating.

To learn more about Mary, please follow her via the below platforms:
marybue.com
Instagram: @MaryBueMusic
Patreon: marybue


Tina Schlieske

Tina_RGB_O.jpg

Where are you based?
I am currently based in Santa Barbara, CA.

Both of our previous questions have a lot to do with the police. What are your thoughts on what should be done about police negligence and violence?
It’s such a complicated issue and the system is broken. I’m doing my best to educate myself about it all but I do feel empathy and a building of trust is desperately needed...there is A LOT of healing that needs to be done.

It doesn’t seem like #Metoo is losing steam and we would like to hear your thoughts about how the prevalence of the movement in media -- hearing stories almost on a daily basis of harassment and sexual assault. How is #MeToo’s prevalence in media affecting advocacy work in a positive way? With more and more women coming forward to tell their stories, is this creating a change in policy?
I do believe change happens when people start a conversation, it starts small and then it builds. The more we talk about it the more it starts to seep in by supporting and believing victims...this then encourages the change in policy that we need.

The prevalence of violence against women in American culture can be heavy on the heart and mind at times. Story after story of assault, harassment, and even death can be exhausting. What helps you stay energized, motivated, and positive in the work you do?
Staying engaged, getting educated, and listening usually helps but I have to say fear has been a big motivator lately...the state of what is happening in our courts right now with the anti-abortion laws and the uncertainty of Roe V Wade is terrifying.

Tina Schlieske Photo by Mary Mathis

Tina Schlieske Photo by Mary Mathis

This project is helping to fund Planned Parenthood. Can you give our readers your insights into the importance of Planned Parenthood in your community?
Planned Parenthood and Women’s Independent clinics everywhere in this country is so important...it’s value is immeasurable for for all communities.

What if Planned Parenthood didn’t exist?
I shudder to think.

At the end of the day, what do you hope listeners take away from #Metoompls?
That everyone has a voice in this.

Tina, your song “How Much Would you Pay (Dear Harvey) is a powerful message of long-term damage of silence. You sing “I should’ve kept my mouth shut, I should’ve never said a thing... But this body that I live in has become unsafe to me. How much would you pay for this life you stole away from me?” What did it feel like to put this song, title included, out for the world to hear?
It was an extremely moving experience...I wanted to give a voice to in particular Jessica Mann who stood up and read out her letter to Harvey Weinstein in court. With her words she was taking back her power, she knows that her life has been forever changed by what he had done to her...her acknowledgment in that, her defiance that ultimately it will not break her, she will have her good days and her bad days but she will live her life...is just so powerful and I wanted to give that voice.

How did putting these songs out into the world as a part of the #MeTooMpls project impact you?
This was my favorite part...to hear the work, conviction and honesty in everyone’s contribution was so inspiring.

Why do you think it is important that albums like this come out?
Everyone needs to know and feel they are not alone.

What progress do you hope to see moving forward for Minneapolis?
That people keep having the difficult conversations around this and that they listen.

What is your life motto?
Go towards the fear. Say yes to what scares the crap out of you...that’s when shit gets real.

How are you staying sane during shelter in place?
Probably like everyone else...trying to stay in the moment, reaching out to family and friends, playing music, streaming shows and having a good cocktail every now and again.

To learn more about Tina, please follow her via the below platforms:
www.tinaschlieske.com
Facebook: TinaSchlieske
Instagram: @tinaschlieske
Twitter: @tinatines